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Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt.,

Moses, who was still in the dark as to the exact character of the entertainment planned, was all eagerness to get preliminaries over.,

So a little church had been built there. The four walls of peeled logs carefully chinked with plaster were now grey and weathered. Inside of the building the red-draped altar, pulpit and reading-desk occupied at least one-third of the available space. There were pews to seat a score of people and behind these was a large heater. The uneven walls were whitewashed. In the windows, three on each side, were alternate blue and white panes of glass.,

“Yes, yes, marmsey; but there’s night shops where a fellow can gobble education by the hunk, you know, and—” He paused. Even his own mother didn’t know the pang in his heart when he thought of Jean and Jimmy, and the others, going on together through the high school, perhaps the university.

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Turning to the right he entered a short dark corridor and noticed at the end of the passageway a brass knob gleaming. With renewed hope he approached the shining mark and extended his hand to open the door.,

Mrs. Wopp obligingly gave as an encore, “There were ninety and nine,” apropos of nothing whatever. Then turning to a portrait on the wall, she enlarged on the musical ability of a great-uncle from whom she reckoned she had received her gift of song.,

“But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.”,

Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.